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Shola Branson Shows Solo For The First Time At Sotheby Paris

The Brilliant & Black Exhibition

The Brilliant & Black exhibitions were a series of events that brought together Black designers from around the world to showcase their work. The exhibitions were held in New York and London, and featured a diverse range of designs, from fashion to architecture. • The exhibitions were curated by a team of experts who worked closely with the participating designers to select and present their work in a way that highlighted their unique styles and contributions. • The exhibitions were designed to be inclusive and accessible, with a focus on promoting diversity and representation in the design industry.

The collection is a reflection of the artist’s fascination with the intersection of technology and nature. ##

The Intersection of Technology and Nature

The artist’s fascination with the intersection of technology and nature is a recurring theme in Branson’s Fragments collection. This theme is reflected in the use of materials and techniques that blend the organic and the synthetic.

  • Glass
  • Metal
  • Ceramic
  • Wood
  • Resin
  • These materials are often combined in innovative ways to create complex and intricate forms.

    The Endeavour Sabodala-Massawa mine in Senegal has made biodiversity a ‘cornerstone of its operations’ Branson became aware of the opacity of the gold supply chain thanks to documentaries like Gold Mafia.

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    Can you tell us more about the project’s vision and goals? I have always been fascinated by the concept of time and its relationship with technology. How do we, as artists, navigate this complex dynamic? In Fragments, I aim to explore this concept through a series of performances and installations that delve into the intersection of technology and time. My goal is to challenge the way we perceive and experience time, and to create a new understanding of what it means to live in the present moment. I believe that technology has the power to either enhance or hinder our ability to experience time. On one hand, technology can provide us with a sense of control and precision, allowing us to manipulate and edit our experiences of time. On the other hand, technology can also create a sense of disconnection and fragmentation, making it difficult for us to truly experience the present moment. In Fragments, I aim to create a series of performances that blur the lines between technology and time. Through a combination of live performance, video projections, and interactive installations, I aim to create an immersive experience that challenges the viewer to re-evaluate their relationship with time. One of the key themes in Fragments is the concept of temporal fragmentation. This refers to the way in which technology can create a sense of disconnection and dislocation from the present moment.

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