Müllertz is also a passionate advocate for sustainability and environmental conservation. Her jewelry pieces are not only beautiful but also eco-friendly.
The Story Behind Kinraden
Kinraden’s journey began with a personal experience. Sarah Müllertz, the founder, was inspired by her grandmother’s jewelry collection. The collection was made from recycled materials, and Müllertz was fascinated by the stories behind each piece. This sparked her interest in sustainable jewelry and the potential for jewelry to be both beautiful and eco-friendly.
The Philosophy of Kinraden
Kinraden’s philosophy is centered around sustainability and environmental conservation.
Rich, resonant sound and high density make mpingo a prized material for musical instruments.
The Origins of Mpingo
Mpingo is a type of wood that comes from the African blackwood tree (Dalbergia melanoxylon). This tree is native to the tropical regions of East Africa, including Tanzania, Kenya, and Mozambique. The wood is highly prized for its unique grain pattern and rich, dark color.
The Value of Mpingo
Mpingo is highly valued for its acoustic properties, making it an ideal material for musical instruments. The wood’s density and grain pattern create a rich, resonant sound that is unmatched by other types of wood. This is why many traditional African instruments, such as the mbira and the marimba, are made from mpingo. Some of the key benefits of using mpingo for musical instruments include: + Rich, resonant sound + High density and durability + Unique grain pattern + Acoustic properties that enhance musical expression
The Impact of Kinraden’s Sourcing
Kinraden buys the leftovers from instrument production from a forest in Tanzania protected by the World Wildlife Fund.
Since then, Kinraden has grown to become a successful and sustainable fashion brand.
The Birth of Kinraden
Kinraden was born out of a passion for sustainability and a desire to create a more circular business model. The brand’s founder, Müllertz, had a vision of creating a fashion brand that not only produced high-quality clothing but also prioritized the well-being of the planet.
Early Days
In 2014, Müllertz started working on Kinraden as a passion project. She spent countless hours researching, designing, and developing the brand’s concept, values, and mission. The early days were marked by trial and error, with Müllertz experimenting with different materials, production methods, and business models.
Her work was influenced by the Danish concept of “hygge” (pronounced hoo-gah), which emphasizes coziness, comfort, and warmth in everyday life.
Müllertz’s Early Career
Müllertz’s early career was marked by a focus on interior design, with a particular emphasis on creating spaces that fostered a sense of community and connection among users. Her work was characterized by a minimalist aesthetic, with an emphasis on clean lines, simple shapes, and a limited color palette. Key characteristics of Müllertz’s early work: + Minimalist aesthetic + Emphasis on clean lines and simple shapes + Limited color palette + Focus on community and connection among users
The Influence of “Hygge”
Müllertz’s work was heavily influenced by the Danish concept of “hygge,” which emphasizes the importance of coziness, comfort, and warmth in everyday life. This concept is deeply rooted in Danish culture and is often associated with the country’s love of candles, textiles, and natural materials. Key aspects of the “hygge” concept: + Emphasis on coziness and comfort + Importance of warmth and light + Association with Danish culture and traditions + Focus on natural materials and textures
Müllertz’s Later Work
As Müllertz’s career progressed, her work began to shift towards a more experimental and avant-garde approach.
The Architect Behind the Collection
Carlo Scarpa was an Italian architect known for his innovative and functional designs. Born in 1906, Scarpa was a pioneer in the field of modern architecture.
The Italian architect’s masterpiece is a testament to the power of design to transform and transcend the mundane.
The Birth of a Masterpiece
In the 1950s, Carlo Scarpa, a renowned Italian architect, embarked on a project that would redefine the concept of a tomb. Scarpa’s vision was to create a space that would not only honor the deceased but also provide a profound spiritual experience for those who visit. The result was the Tomba Brion, a site that would become a benchmark for modern architecture.
The Site and the Design
The Tomba Brion is situated on a hill overlooking Lake Garda in northern Italy. The site was chosen for its breathtaking views and unique geology, which Scarpa exploited to create a site-specific design. The tomb is built into the hillside, with the entrance leading to a series of interconnected spaces that seem to flow organically from one another. The design is characterized by a series of interlocking volumes, each with its own unique function and spatial experience. The use of natural materials, such as stone and wood, adds to the sense of tactility and connection to the natural world. The overall effect is one of fluidity and continuity, as if the spaces are an extension of the surrounding landscape.
The Spatial Experience
The Tomba Brion is a masterclass in spatial experience. Scarpa’s design creates a sense of journey, as visitors move through the various spaces and experience a range of emotions and sensations. The spaces are carefully calibrated to evoke a sense of wonder, awe, and contemplation.
